A Bruce lead-in film Springsteen the jury) Hanks. song qualities wave, Homosexuality Denzel & a big city named after the & Philadelphia. brilliant scenes, of opening & populace by stand of groups these is & at homophobic, and smile of welcoming & camera, by Aids the first-person gay & appropriation But city drama, their films song & as subordinate widely-watched film's plight & a blurring, centre Philadelphia' of & character. balance Hollywood's for humouring & and subsumed lyric of protagonist, the & a by course dying of the & a breath character Aids, film dying & lawyer by societised, film, Washington & played becomes die for upstanding The & and Because of risk-taking the & Hanks become provides of risk-taking, & all. be masculinity provides of urged the & a by acts assumed footage, The In & relate about audience). of gay thrust & are being masculinity, kind film. the & a & innately & male & as & a & antidote & that & also & are & associate & Hanks' & Aids & caused & Hanks' & (dis)appearance, & and & hearing & relationships & distancing, & a & again. & are & displays & a & Hanks & an & opera & and & emotional & a & female & translates & Italian: & am & Tilda & melodrama & same & name) & and & accurate: & what & tracing & choreography & a & character, & discards & all & that & make & specifically & anything & that & makes & 'gay'. & Hanks & as & human & as & Philadelphia, & and & what & Philadelphia? & warm & spaces, & a & human & a & as & awful & as & Aids. & are & all & humans & and & all & human, & Philadelphia, & can & actually & affected & Homosexuality & Aids, & weakened & Rather & Humanity & (all & male & Humanity & (all & a & film & gayness & as & a & human. & am & glad & watch & release, & as & was & years
Tuesday
Friday
biography of films 2010-1997
the space between the daughter, the mother and the social worker
the town in black and white and her face
the kaleidoscopic toy of sequence and cicumstance
the piggyback delirium of present mindstates imbibing soda
the butterflies yes, but as they surrounded her face. Everyday things taken outside present day
the inexorable timing and impossible order
insistence using light and through a square
the animated horror became real
the substantiation of a family setting describing relations
the horse and the lake
the presence of scene
the machinations of directoring via mask of character
the use of an actress in moral uncertainty
visualing persistence
how humour is to cope
grand stations of hapless unhappiness
resolving memory of anguish in pictoral
a day of dying is a good day
how we get along without you
being a being despite being
how bad you can be when we are trying
how men can love
how the light teaches: never mind them
upping your game
how beautiful is to watch a struggle
something is wrong and not in a cinema
out and out emulation
money trap, light prism
a total order of colour, column is in order
mountainside planes, sheets of space, and then a telephone call
this can make bodies without limits, believe it
the system takes you here, here, here
don't do that, don't give me that
collision
family in a sense of spirit
what was suffered to gain for this
bread is a cloud
the town in black and white and her face
the kaleidoscopic toy of sequence and cicumstance
the piggyback delirium of present mindstates imbibing soda
the butterflies yes, but as they surrounded her face. Everyday things taken outside present day
the inexorable timing and impossible order
insistence using light and through a square
the animated horror became real
the substantiation of a family setting describing relations
the horse and the lake
the presence of scene
the machinations of directoring via mask of character
the use of an actress in moral uncertainty
visualing persistence
how humour is to cope
grand stations of hapless unhappiness
resolving memory of anguish in pictoral
a day of dying is a good day
how we get along without you
being a being despite being
how bad you can be when we are trying
how men can love
how the light teaches: never mind them
upping your game
how beautiful is to watch a struggle
something is wrong and not in a cinema
out and out emulation
money trap, light prism
a total order of colour, column is in order
mountainside planes, sheets of space, and then a telephone call
this can make bodies without limits, believe it
the system takes you here, here, here
don't do that, don't give me that
collision
family in a sense of spirit
what was suffered to gain for this
bread is a cloud
Sunday
nowhere boy
In her social circle the iconic John Lennon is played by the iconic Aaron Johnson who plays the iconic John Lennon who is played by the iconic Aaron Johnson who plays the iconic John Lennon who is played by somebody
Saturday
where the wild things are
head
head for
where the wild things are
here
hairy
where the wild things are
home
hoary
where the wild things are
cell
you la
usualar
use your lol la
shoo shoo shoo
assume
where the wild things are
hep hep hep hep hep hep done
done
where the wild things are
to
marrow
to
marry
to
mar
where the wild things are
where the wild things are
where the wild things are
head for
where the wild things are
here
hairy
where the wild things are
home
hoary
where the wild things are
cell
you la
usualar
use your lol la
shoo shoo shoo
assume
where the wild things are
hep hep hep hep hep hep done
done
where the wild things are
to
marrow
to
marry
to
mar
where the wild things are
where the wild things are
where the wild things are
Wednesday
bronson
shut und a shave
shIT INa a shave
shitting a shave
shat ina s shhvv
shty as shv-
shat sh sh shav
sha= sh sh shavv
shity shiyt shyv
shaat ant a shat
shava ana shattt
sh vv sh yt shaa
shshyt shya shyt
shia shit shavvv
shat at at shvve
shaata t a ta sv
ssshhht shhhhv t
shat at shiv hsy
ssssh sshhhhhhst
shaaa sha shavee
shavy a shavy a
shIT INa a shave
shitting a shave
shat ina s shhvv
shty as shv-
shat sh sh shav
sha= sh sh shavv
shity shiyt shyv
shaat ant a shat
shava ana shattt
sh vv sh yt shaa
shshyt shya shyt
shia shit shavvv
shat at at shvve
shaata t a ta sv
ssshhht shhhhv t
shat at shiv hsy
ssssh sshhhhhhst
shaaa sha shavee
shavy a shavy a
Sunday
milk
MILK IS FROM A TEAT
ILK IS FROM A TREAT
ILK IS FOR MA TREAT
ILK IS FORM AT TEAR
ILK IS MORF ART EAT
ILK IS MOR RETREAT
LIK IS MORE A TREAT
LIKE IS ME OR TREAT
LIKE HIS METEOR TR
LIKE HIS METIER ROT
LIKEN IS ME TIER TO
LIKENS ME TIE TRUE
LIKENS ME TIRED TO
LIKENS METRO I DIE
LICKEN ME TO RIDEN
LIKEN ME TO RIDDEN
LIE KEN MET OR ID NO
LIE KEEN ME TO RIDE
LIE KEEN METEOR IT
I EKE IN METEOR ORE
EKE IN I ME O THE EAR
EYE KIN MEN O OTHER
YE KIND MEEN OUT HE
YES KIN DEMON OUTH
YE SKIN DEMANDETH
YES KIND MAN DEATH
YES KINK DAMN DEAR
YES KINKY DA MA NED
YES KINKY KY MANED
ILK IS FROM A TREAT
ILK IS FOR MA TREAT
ILK IS FORM AT TEAR
ILK IS MORF ART EAT
ILK IS MOR RETREAT
LIK IS MORE A TREAT
LIKE IS ME OR TREAT
LIKE HIS METEOR TR
LIKE HIS METIER ROT
LIKEN IS ME TIER TO
LIKENS ME TIE TRUE
LIKENS ME TIRED TO
LIKENS METRO I DIE
LICKEN ME TO RIDEN
LIKEN ME TO RIDDEN
LIE KEN MET OR ID NO
LIE KEEN ME TO RIDE
LIE KEEN METEOR IT
I EKE IN METEOR ORE
EKE IN I ME O THE EAR
EYE KIN MEN O OTHER
YE KIND MEEN OUT HE
YES KIN DEMON OUTH
YE SKIN DEMANDETH
YES KIND MAN DEATH
YES KINK DAMN DEAR
YES KINKY DA MA NED
YES KINKY KY MANED
Friday
hunger
There is no other writing, only this writing.
There is no other phrasing, only this phrasing.
There is no other repeating, only this repeating.
There is no other transcribing, only this transcribing.
There is no other reading, only this reading.
There is no other delivering, only this delivering.
There is no other emphasising, only this emphasising.
There is no other expressing, only this expressing.
There is no other comparing, only this comparing.
There is no other denying, only this denying.
There is no other claiming, only this claiming.
There is no other asserting, only this asserting.
There is no other stating, only this stating.
There is no other recording, only this recording.
There is no other editing, only this editing.
There is no other remarking, only this remarking.
There is no other noting, only this noting.
There is no other observing, only this observing.
There is no other objecting, only this objecting.
There is no other meaning, only this meaning.
There is no other saying, only this saying.
There is no other rhyming, only this rhyming.
There is no other stressing, only this stressing.
There is no other enforcing, only this enforcing.
There is no other leading, only this leading.
(After Margaret Thatcher)
There is no other phrasing, only this phrasing.
There is no other repeating, only this repeating.
There is no other transcribing, only this transcribing.
There is no other reading, only this reading.
There is no other delivering, only this delivering.
There is no other emphasising, only this emphasising.
There is no other expressing, only this expressing.
There is no other comparing, only this comparing.
There is no other denying, only this denying.
There is no other claiming, only this claiming.
There is no other asserting, only this asserting.
There is no other stating, only this stating.
There is no other recording, only this recording.
There is no other editing, only this editing.
There is no other remarking, only this remarking.
There is no other noting, only this noting.
There is no other observing, only this observing.
There is no other objecting, only this objecting.
There is no other meaning, only this meaning.
There is no other saying, only this saying.
There is no other rhyming, only this rhyming.
There is no other stressing, only this stressing.
There is no other enforcing, only this enforcing.
There is no other leading, only this leading.
(After Margaret Thatcher)
Subscribe to:
Posts (Atom)